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When a chorus recitation is demanded, it is recited (by John Hurt) over footage of a ship at sea, embarked on a cross-channel invasion.
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When a full battle is called for, you see a battlefield, with horses and armies. That said, a television (or film) treatment can be helpful, especially for the uninitiated, and especially for these plays, which are not as well known or audience-friendly as, say, “Romeo and Juliet.” First, let’s get this caveat out of the way: Nothing beats a stage performance of a Shakespeare play if the cast is first-rate and the direction insightful.

A couple of heads are graphically lopped off in “Richard II,” Friday’s opening installment of the series, which also includes on successive Fridays “Henry IV, Part 1,” “Henry IV, Part 2” and “Henry V.” Of course, your pestering might just earn you a beheading, which seems to have been the method preferred by kings and would-be kings of yore for making annoyances go away. Weasley from the Harry Potter movies? Did kings ever do any actual governing, or did they just fight and fret about who was or wasn’t trying to unseat them?” “Did you guys really make a habit of spouting eloquent eulogies and speeches at improbable times? Were there really practically no women in England then, except Mrs. It’s too bad there are no late-14th- or early-15th-century British kings around with whom to watch “The Hollow Crown,” a four-part serving of Shakespeare that begins on Friday on PBS’s “Great Performances.” Think of the questions you could ask: If you want insights into the accuracy of a medical drama, watch it with a doctor. If you want an interesting perspective on a police procedural, watch it with a real police officer.
